Paul Strand - Fotógrafo

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Paul Strand
Wall Street, 1915
Born	October 16, 1890(1890-10-16) New York City
Died	March 31, 1976 (aged 85)
Nationality	American
Field	Photography

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Paul Strand (October 16, 1890 – March 31, 1976) was an American photographer and filmmaker who, along with fellow modernist photographers like Alfred Stieglitz and Edward Weston, helped establish photography as an art form in the 20th century. His diverse body of work, spanning six decades, covers numerous genres and subjects throughout the Americas, Europe and Africa.

Contents 1 Early modernist work 2 Film-making 3 France 4 Family 5 Strand’s politics 6 References 6.1 Sources 7 External links

Early modernist work

Born in New York City to Bohemian parents, in his late teens Strand was a student of renowned documentary photographer Lewis Hine at the Ethical Culture Fieldston School. It was while on a fieldtrip in this class that Strand first visited the 291 art gallery – operated by Stieglitz and Edward Steichen – where exhibitions of work by forward-thinking modernist photographers and painters would move Strand to take his photographic hobby more seriously. Stieglitz would later promote Strand's work in the 291 gallery itself, in his photography publication Camera Work, and in his artwork in the Hieninglatzing studio. Some of this early work, like the well-known "Wall Street," experimented with formal abstractions (influencing, among others, Edward Hopper and his idiosyncratic urban vision). ^[1] .

Other of Strand's works reflect his interest in using the camera as a tool for social reform. He was one of the founders of the Photo League, an association of photographers who advocated using their art to promote social and political causes.

Film-making

Over the next few decades, Strand worked in motion pictures as well as still photography. His first film was Manhatta (1921), also known as New York the Magnificent, a silent film showing the day-to-day life of New York City made with painter/photographer Charles Sheeler. Manhatta includes a shot similar to Strand's famous Wall Street (1915) photograph. Other films he was involved with included Redes (1936) (released in the US as The Wave), a film commissioned by the Mexican government, the documentary The Plow That Broke the Plains (1936) and the pro-union, anti-fascist Native Land (1942).

France

In June 1949, Strand left the United States to present Native Land at the Karlovy Vary International Film Festival in Czechoslovakia. It was a departure that marked the beginning of Strand’s long exile from the prevailing climate of McCarthyism in the United States. The remaining 27 years of his life were spent in Orgeval, France where, despite never learning the language, he maintained an impressive creative life, assisted by his third wife, fellow photographer Hazel Kingsbury Strand.

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Although Strand is best known for his early abstractions, his return to still photography in this later period produced some of his most significant work in the form of six book ‘portraits’ of place: Time in New England (1950), La France de Profil (1952), Un Paese (featuring photographs of Luzzara and the Po River Valley in Italy, 1955), Tir a'Mhurain / Outer Hebrides [1] (1962), Living Egypt (1969) and Ghana: an African portrait (1976).

Family

Strand married the painter Rebecca Salsbury in 1921. He photographed Rebecca Salsbury Strand frequently, sometimes with uncommonly close compositions. Strand married Hazel Kingsbury in 1951.

Strand’s politics

The timing of Strand’s departure to France is coincident with the first libel trial of his friend Alger Hiss, with whom he maintained a correspondence until his death. Although he was never officially a member of the Communist Party, many of Strand’s collaborators were either Party members (James Aldridge; Cesare Zavattini) or were prominent socialist writers and activists (Basil Davidson). Many of his friends were also Communists or were suspected of being so (MP DN Pritt; film director Joseph Losey; Scottish poet Hugh MacDiarmid; actor Alex McCrindle). Strand was also closely involved with Frontier Films, one of more than twenty organizations that were branded as ‘subversive’ and ‘un-American’ by the US Attorney General.

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Strand also insisted that his books should be printed in Leipzig, East Germany, even if this meant that they were initially prohibited from the American market on account of their Communist provenance.
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De-classified intelligence files, obtained under the Freedom of Information Act and now lodged at the Center for Creative Photography at the University of Arizona, reveal that Strand’s movements around Europe were closely monitored by the security services.

 References

1. ^ Wells, Walter, "Silent Theater: The Art of Edward Hopper", London/New York: Phaidon, 2007

Sources

• Paul Strand: Aperture Masters of Photography. Hong Kong: Aperture. ISBN 0-89381-077-0.
• Rosenblum, Naomi. A World History of Photography (3rd ed.). New York: Abbeville Press. ISBN 0-7892-0028-7.
• Maren Stange, Paul Strand: essays on his life and work, New York: Aperture 1991.
• Mike Weaver, ‘Paul Strand: Native Land’, The Archive 27 (Tucson, Arizona: Center for Creative Photography, University of Arizona, 1990) 5-15.
• Fraser MacDonald, 'Paul Strand and the Atlanticist Cold War' History of Photography 28.4 (2004) 356-373 available for download as pdf.
• Gualtieri, Elena "Paul Strand Cesare Zavattini: Lettere e immagini", Bologna, Bora, 2005, ISBN 88-88600-37-X.

External links

• Aperture Foundation, managers of Strand's estate
• Masters of Photography: Paul Strand
• Paul Strand at the Internet Movie Database
• History of Photography journal
• Circle’s Edge
• Paul Strand (Getty Museum)

Persondata
NAME	Strand, Paul
ALTERNATIVE NAMES
SHORT DESCRIPTION	American photographer
DATE OF BIRTH	October 16, 1890
PLACE OF BIRTH	New York City, New York
DATE OF DEATH	March 31, 1976
PLACE OF DEATH	Orgeval, France

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Retrieved from "http://en.wikipedia.org/wiki/Paul_Strand"

Categories: 1890 births | 1976 deaths | American cinematographers | American expatriates in France | American film directors | American photographers | Jewish American film directors | People from New York City | Ethical Culture Fieldston School alumni | Precisionism

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Paul Strand   b. 1890 New York City, d. 1976 Orgival, France photographer American . Paul Strand began photographing in New York in the 1910s. During the early 1920s he received recognition for both his painting and his photography. He visited New Mexico in 1926 and, beginning in 1930, returned for three consecutive summers, making portraits of artist friends and acquaintances. It was there, amidst a community of visual artists and writers, that Strand began to develop his belief in the humanistic value of portraiture. . Strand subsequently traveled to Mexico, where he photographed the landscape, architecture, folk art, and people and in 1934 produced a film about fishermen for the Mexican government. Thirteen years earlier he had collaborated with Charles Sheeler on a film, Manhatta, a study of the urban high-rise environment. Having returned to New York late in 1934, Strand devoted his energies to theater and filmmaking cooperatives. In 1943 Strand resumed his still photography, focusing on the people and surroundings of New England. In the early 1950s he moved to Europe, spending six weeks in the northern Italian agrarian community of Luzzara and later traveling to the Outer Hebrides, islands off the northwest coast of Scotland. He traveled and photographed in North and West Africa in the 1960s.    Related Bookstore items: In Focus: Paul Strand			1-5 of 20

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New York American, 1916 Pear and Bowls American, 1916 Twin Lakes American, 1916 Portrait American, 1916 Photograph American, 1916   1-5 of 20

http://www.getty.edu/art/gettyguide/artMakerDetails?maker=1899

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