Escrevivendo e Photoandarilhando por ali e por aqui

“O que a fotografia reproduz no infinito aconteceu apenas uma vez: ela repete mecanicamente o que não poderá nunca mais se repetir existencialmente”.(Roland Barthes)

«Todo o filme é uma construção irreal do real e isto tanto mais quanto mais "real" o cinema parecer. Por paradoxal que seja! Todo o filme, como toda a obra humana, tem significados vários, podendo ser objecto de várias leituras. O filme, como toda a realidade, não tem um único significado, antes vários, conforme quem o tenta compreender. Tal compreensão depende da experiência de cada um. É do concurso de várias experiências, das várias leituras (dum filme ou, mais amplamente, do real) que permite ter deles uma compreensão ou percepção, de serem (tendencialmente) tal qual são. (Victor Nogueira - excerto do Boletim do Núcleo Juvenil de Cinema de Évora, Janeiro 1973

Mostrar mensagens com a etiqueta Concurso de Fotografia. Mostrar todas as mensagens
Mostrar mensagens com a etiqueta Concurso de Fotografia. Mostrar todas as mensagens

quinta-feira, 9 de março de 2017

The 2017 Sony World Photography Awards

 
  • MAR 7, 2017
  •  
  • 20 PHOTOS
  •  
  • IN FOCUS
  • The Sony World Photography Awards, an annual competition hosted by the World Photography Organisation, just announced its shortlist of winners for 2017. This year's contest attracted 227,596 entries from 183 countries. The organizers have again been kind enough to share some of their shortlisted and commended images with us, gathered below. Overall winners are scheduled to be announced on April 20. All captions below come from the photographers.
    o
    o
    Mathilda. Inspired by the movie Leon. Model: Anastasiya Marinina. #
    © Alexander Vinogradov, Russian Federation, Shortlist, Open, Portraits, 2017 Sony World Photography Awards
    o
    o
    Diamond-Dust. This picture was taken in February in Nagano-ken at an altitude of about 1,700 meters. In Japan, February is the coldest season in a year. Diamond dust can be seen only a few times during cold season. So, it took four years to make this work since I started taking diamond dust. Orange circle is diamond dust. Diamond dust usually looks white, but it turns into orange just for the morning sunrise. I expressed the diamond dust as a silent forest fairy. #
    © Masayasu Sakuma, Japan, Shortlist, Open, Nature, 2017 Sony World Photography Awards
    o
    o
    From the series Pandas Gone Wild. Is a panda cub fooled by a panda suit? That’s the hope at Hetaoping Wolong Panda Center, where captive-bred bears training for life in the wild are kept relatively sheltered from human contact, even during a rare hands-on checkup. #
    © Ami Vitale, United States of America, Shortlist, Professional, Natural World, 2017 Sony World Photography Awards
    o
    o
    Jacks at Cabo Pulmo. Mexico, Baja California, Sea of Cortez. A big school of Jacks forming a ceiling found at the protected marine area of Cabo Pulmo. #
    © Christian Vizl, Mexico, Shortlist, Professional, Natural World, 2017 Sony World Photography Awards
    o
    o
    NYCLightII. A Manhattan sunset. Shot from Queens across the East River. Part two in a New York Trilogy which I call "NYC Light." #
    © Lars Sivars, Sweden, Commended, Open, Architecture, 2017 Sony World Photography Awards
    o
    o
    Walking on water. The Solomon Islands are special well beyond pristine reefs and world-class diving. It is one of the last frontiers where local tribes and indigenous populations are scattered throughout the archipelago, and proudly conduct a life where what is taken from Mother Nature is only that which is needed as a means of subsistence. I wanted a different shot than the usual underwater reef scene to capture the cultural essence of this incredible far-flung destination and its inhabitants. This is a place where it seems kids learn to paddle before they walk. I noticed canoes following my bubbles, a great opportunity to capture villagers, their canoe, the reef, and a stunning sunset as the backdrop. #
    © Pier Mane, Italy, Commended, Open, Culture, 2017 Sony World Photography Awards
    o
    o
    Black rhinoceros at night. The waterhole at Okaukuejo in the Etosha National Park in Namibia, is visited by black rhinoceros (Diceros bicornis) on a regular basis. This animal stood in the water at night for quite some time before drinking. The calm water allowed for reflections. The position of the flash, some 30 meters from the camera, helped reveal the structures of the body surface. The photo was taken in April 2016. #
    © Jan Ryser, Switzerland, Shortlist, Open, Wildlife, 2017 Sony World Photography Awards
    o
    o
    Algo casual 2. This image is a criticism of modern relationships and the distance between human beings in their daily interactions. #
    © Carloman Macidiano Céspedes Riojas, Peru, Shortlist, Open, Portraits, 2017 Sony World Photography Awards

    o

    o
    Lady in Red. I shot this picture with my drone during a summer vacation. My wife and I spent several days in Montenegro on the Adriatic Coast, and this shot is from the cove Veslo, located at the eastern part of Luštica peninsula. This is a perfect spot where you get the feelings of coziness, privacy, and relaxation, and this is what I wanted to be reflected in my work. Unspoiled and rugged at the same time, but also a beautiful and authentic landscape is what I found here, and I hope this is what transcends through this image. Model: Nevena Mirković. #
    © Placido Faranda, Italy, Shortlist, Open, Travel, 2017 Sony World Photography Awards
    o


    o
    Metropolis. A reflection of the tree on the woman's hair in Midtown. #
    © Tavepong Pratoomwong, Thailand, Shortlist, Open, Street Photography, 2017 Sony World Photography Awards
    o


    o
    From a series named Los Trumpistas. "I’m a proud American, I love this country, and I think it’s time America, to wake up," said Raul Rodrigues Jr. in Apple Valley, California. We think we know the archetypal Trump voter. He is white, male, blue-collar, frustrated and angry. But is that really the case? Are these the only people that will be voting for the Republican candidate? Trump has defied all predictions and surprised the media and commentators more than once. Now it is time to meet some of his most unexpected supporters, the Latinos for Trump. #
    © Giulia Piermartiri & Edoardo Delille, Italy, Shortlist, Professional, Portraiture, 2017 Sony World Photography Awards

    o

    o
    White breasted marten. A white breasted stone marten leaping over some roots, picture taken in Czech Republic in beginning of 2016. #
    © Johnny Krueger, Germany, Commended, Open, Wildlife, 2017 Sony World Photography Awards
    o


    o
    The Cub. My daughter at home (mid-2016), oblivious and lost in a dream moment. It’s one of the more serene images from an ongoing project where I aim to capture the fleeting micro-events that form a part of family life. #
    © Tim Topple, United Kingdom, Shortlist, Open, Portraits, 2017 Sony World Photography Awards
    o


    o
    Silkie shark at Roca Partida. Ever since I was a kid, as far back as I can remember, I was attracted to the sea. I dreamed about what lay beneath the waves, and how would it look if suddenly all the water vanished, leaving all the animals and living creatures in stasis. In this way, I could walk within the ocean and see them all, suspended for a moment in time and space. To this day I carry within me that dream, and very gratefully realize it through my photography. Each image is a visualization of that sublime moment whereupon the beautiful marine life around me is frozen majestically in its natural environment. #
    © Christian Vizl, Mexico, Shortlist, Professional, Natural World, 2017 Sony World Photography Awards
    o


    o
    From a series titled Caught in the Crossfire. Iraqi men from the Hawija region of Iraq wait to be questioned by Kurdish security personnel at a base near Kirkuk. Having fled areas still under the control of ISIS militants, men and boys of fighting age are vetted for any links to the group before being allowed to join their families in camps for displaced people in the Kurdish controlled region of the country. #
    © Ivor Prickett, Ireland, Shortlist, Professional, Current Affairs & News, 2017 Sony World Photography Awards
    o


    o
    Beyond dreams. The plain of Castelluccio Landscape in flowering. Sibillini Mountains National Park, Italy. #
    © Francesco Russo, Italy, Shortlist, Open, Nature, 2017 Sony World Photography Awards
    o


    o
    Flooding. A person is seen on the front porch of a home as it is surrounded by flood waters on in Port Vincent, Louisiana. A historic flood, caused by a massive rainstorm, hit parts of Louisiana and overwhelmed local communities, causing 13 deaths and damaging thousands of homes with flood waters. #
    © Joe Raedle, United States of America, Shortlist, Professional, Current Affairs & News, 2017 Sony World Photography Awards
    o


    o
    Moody. DNF, Fujisan Marathon. #
    © Ann Ric, Malaysia, Shortlist, Open, Nature, 2017 Sony World Photography Awards
    o


    o
    From a series titled Inhabitants of the Empty. Syuzanna, age 9, sits in a “shelter” made of old rusty car parts in front of the abandoned building. She lives in Gyumri, Armenia. Ten days earlier, Syuzanna's father committed suicide, people said, because of his debts. In 1988, a 7.0-magnitude earthquake struck northern Armenia. The quake killed at least 25,000 people in the region. Thousands more were maimed and hundreds of thousands were left homeless. Gyumri, Armenia’s second largest city bore much of the damage. Large-scale war in the early 1990s, the collapse of the Soviet Union, an energy shortage, and a blockade that left landlocked Armenia with just two open borders exacerbated the region's already prevalent social and economic problems. A quarter century later, Gyumri has the country’s highest poverty rate at 47.7 percent. The city has lost nearly half of its population since 1988, due in part to the migration of the labor force. A few thousand families are still living in makeshift shelters, waiting for help. Many of them are not eligible for new housing, since they are not considered to be direct victims of the earthquake. Twenty-five years later, they are still waiting for urgently needed improvements to their dwellings. During the Soviet era, these huge twin dormitory buildings on the outskirts of Gyumri accommodated around 60 families each. Today, there are just four families living here, among decaying walls and corridors. #
    © Yulia Grigoryants, Armenia, Shortlist, Professional, Daily Life, 2017 Sony World Photography Awards
    o


    o
    Green monster. May 16, 2016, a tornado warned high precipitation supercell storm is rolling over the town of Stratford, Texas. Its structures and color seem unreal and belong to the most dramatic I have ever witnessed in many years. I only had a few moments to find a decent spot to capture this amazing view. There was a bigger gap in the traffic along the highway so I had enough time to take a few photos. The image is a panorama of two images, further editing includes primarily color and local contrast enhancements, highlight recovery, foreground brightened up, and adding vignette. #
    © Maximilian Conrad, Germany, Shortlist, Open, Nature, 2017 Sony World Photography Awards
    o


    https://www.theatlantic.com/photo/2017/03/the-2017-sony-world-photography-awards/518823/

    domingo, 12 de fevereiro de 2012

    Samuel Aranda: Lo importante no soy yo sino la foto"


    Entrevista

    Samuel Aranda: "Muchas veces pecamos de egocentrismo. Lo importante no soy yo sino la foto"

    Charlamos con el fotoperiodista español que ha sido galardonado con el prestigioso 'World Press Photo'. Su foto ha sido elegida entre más de 100.000 realizadas por un total de 5.247 fotógrafos

    JAVIER JIMÉNEZ BAS   10-02-2012
    Samuel es de esos fotoperiodistas que aman su profesión. Acaba de ser galardonado con uno de los premios más prestigiosos de fotoperiodismo, si no el que más, el World Press Photo, pero él le resta importancia. Prefiere que se hable de Yemen y de todo lo que su foto cuenta. Samuel lo ha conseguido.

    El español Samuel Aranda gana el World Press Photo
    La instantánea ha sido elegida entre más de 100.000 imágenes realizadas por un total de 5.247 fotógrafos provenientes de 124 países de todo en mundo- (WORLD PRESS PHOTO)

    Hace unas horas que se sabe ganador pero Samuel Aranda está tranquilo. Contactamos con él en Túnez. Allí se fue en enero a cubrir las revueltas, y por el momento ha decidido quedarse . Esta es la conversación que hemos tenido con él
    ¿Cuál es la historia que encierra esa foto?
    Fue un encargo para The New York Times. Un encargo de tres meses en este país, en Yemen. Era muy difícil entrar en el país pero finalmente lo conseguimos. Ese día los francotiradores del gobierno estaban disparando a los manifestantes y esta mujer traía a su familiar herido. Estábamos a la entrada de una mezquita que se estaba utilizando como hospital. En ese momento la mujer estaba esperando que vinieran los médicos a atender a su familiar. Era una situación muy caótica y la mujer se sentó unos 20 o 30 segundos a esperar a que atendieran a su familiar.
    ¿Cómo te comunicaron que eras el ganador de este año?
    Me llamaron ayer por la tarde, sobre las 7 de la tarde, para informarme que me lo habían dado y que este viernes se haría oficial. La verdad es que sentí mucha alegría. Está muy bien que te reconozcan el trabajo, y más una fundación tan importante como es World Press Photo.
    Lo que sí que tenía muy claro es que creo que a veces los fotógrafos, o el periodismo en general, pecamos un poquito-mucho de egocentrismo y para mí lo más importante es no olvidar en ningún momento que lo importante de esta fotografía no soy yo como fotógrafo sino lo que estaba fotografiando. Lo importantes es que la gente, al menos por un día, hable de Yemen, y de lo que está pasando en Yemen. En ese sentido me siento muy bien con el World Press Photo si sirve para que, por lo menos un par de días, se hable de Yemen otra vez.
    ¿Cómo te iniciaste en el fotoperiodismo?
    Empecé cuanto tenía 19 años. Al principio trabajaba en periódicos de Cataluña, el Periódico de Catalunya, 20 Minutos y después también para El País. Con 20 años me fui a vivir a Gaza. Ese fue el primer viaje que hice. En Gaza al principio empecé a trabajar con la agencia EFE. Después me ofrecieron trabajar para France Press. Así empezó todo.
    ¿Has vivido muchas situaciones de riesgo?
    Cuando escoges esta profesión sabes lo que conlleva... A veces vives momentos de riesgo. Yo creo que es más inconsciencia. Cada vez tengo más miedo y supongo que llegará un momento que miraré las cosas desde segunda línea. El riesgo va implícito en la profesión que hemos escogido, el fotoperiodismo y no hay que darle mayor importancia.

    Costa, premiado en el "World Press Photo", pide más respeto a la fotografía

    El fotógrafo Joan Costa, que ha recibido hoy el segundo premio "Worl Press Photo" en la categoría de "Naturaleza" ha declarado que "es hora de que las instituciones y los medios españoles concedan más prestigio a la fotografía".
    "En internet ni siquiera se respeta nuestras firmas", ha señalado el fotógrafo español, curtido en la profesión después de haber atravesado por labores de colaborador de prensa y agencias.
    El galardonado ha logrado el premio con la imagen de un invertebrado en el Océano Pacífico que consiguió durante su participación en la Expedición Malaespina 2010.
    "Todos los días, los científicos tomaban muestras de estos microorganismos que, en cuanto los sacas del agua y los metes en formol, pierden todos los matices y texturas. Por eso monté un laboratorio de macro-fotografía y este es el resultado", ha señalado Costa, especializado en fotografía científica, en declaraciones a Efe.
    EFE

    terça-feira, 29 de novembro de 2011

    Braga Parque: 'Maratona Fotográfica' dedicada ao cinema

    Correio do Minho
    BRAGA




    autor

    Redacç

    Entre 1 e 31 de Dezembro, o Braga Parque apresenta a exposição 'Maratona Fotográfica', uma mostra que resulta de um desafio lançado a aficionados da fotografia - amadores e profissionais - para captar imagens de Braga e de Guimarães, numa aventura de 15 horas pelas duas cidades minhotas.


    Na edição 2011 do concurso promovido pela Fnac, o tema em destaque é o Cinema, servindo de mote a uma aventura através da objectiva que destacou os trabalhos de Gil Campelos (primeiro classificado), António da Costa Peixoto (segundo classificado) e Mário Rocha (terceiro classificado), dando agora origem a uma exposição dos registos alusivos aos temas propostos.



    A competição, que contou com cerca de 50 inscritos, teve início no Fórum Fnac de Guimarães às 10 horas do dia 10 de Setembro e prolongou-se ininterruptamente pelas duas cidades em busca das melhores imagens que ilustrassem os temas A vida é bela, a festa nunca acaba, entre outros.

    A selecção das fotografias vencedoras esteve a cargo de um júri composto por Hugo Delgado (Agência Lusa), Rui Pires (fotógrafo profissional na área do espectáculo e moda) e Daniel Pinho (responsável pela Comunicação da Fnac de Guimarães), avaliando critérios como a originalidade, a qualidade técnica e a articulação visual entre os temas, revelando “uma enorme satisfação por constatar que, a cada ano que passa, conseguimos reunir trabalhos de excepcional qualidade”, referem.


    Para além das imagens da autoria dos três primeiros classificados, a mostra “Maratona Fotográfica” apresenta ainda os restantes trabalhos captados por todos os participantes do concurso e pode ser visitada diariamente, durante o mês de Dezembro, no Braga Parque.



    Braga Parque - Feito de Futuro

    Exposição “Maratona Fotográfica”
    1 a 31 de Dezembro - Entrada livre

    terça-feira, 22 de novembro de 2011

    World Press Photo 2011: exposição está de volta à Maia

    JornalismoPortoNetWorld Press Photo 2011: exposição está de volta à Maia
    A Maia recebe, pelo décimo ano consecutivo, a World Press Photo 2011
    Foto: Fábio A. Silva

    World Press Photo 2011: exposição está de volta à Maia

    O JPN visitou a exposição do World Press Photo 2011, a decorrer no Fórum da Maia. A exposição conta com algumas das fotografias premiadas do maior concurso internacional de fotojornalismo.
    O Fórum da Maia acolheu, pelo décimo ano consecutivo, a World Press Photo, a mais importante exposição de fotojornalismo a nível mundial. Aqui, estão 185 fotografias expostas até 13 de dezembro.
    A inauguração aconteceu na quinta-feira, com a presença da comissária da exposição, explicaPaulo Ramalho, vereador da Câmara Municipal da Maia (CMM). Segundo o vereador, a CMM acolhe a exposição "com muito orgulho", pois, diz, atrai milhares de pessoas todos os anos, sendo, igualmente, uma "referência cultura e informativa da Maia".
    Para além da exposição, a organização ainda vai promover uma conferência sobre política internacional que se vai debruçar sobre os conflitos e mudanças de regime, consequência da Primavera Árabe. A conferência vai decorrer no local da exposição e será aberta ao público, com a presença de profissionais da área das relações internacionais, adianta Paulo Ramalho.

    Um concurso "de renome"

    A World Press Photo é uma organização independente sem fins lucrativos fundada em 1955, em Amesterdão, Holanda. É conhecida por realizar, anualmente, a maior e mais prestigiada distinção de fotojornalismo do Mundo. A edição 2011 da World Press Photo contou com a participação de 5691 fotógrafos, de 125 países. No total, foram 108059 fotografias a concurso, dividido em dez categorias, representativas de acontecimentos do ano transato.
    Jodi Bieber arrecadou o prémio máximo com a foto de uma mulher afegã desfigurada por ter fugido de casa do marido. Os restantes vencedores podem ser encontrados aqui.


    LIST OF WINNERS FOR THE 2011 PHOTO CONTEST

    2010
    World Press Photo of the Year
    Jodi Bieber, South Africa, Institute for Artist Management/Goodman Gallery for Time magazine
    Spot News
    1st prize singles
    Péter Lakatos, Hungary, MTI
    3rd prize singles
    Uwe Weber, Germany, for Bild
    3rd prize stories
    Lu Guang, China, Greenpeace International
    Honorable Mention
    Alexandre Vieira, Brazil, Jornal O Dia
    General News
    1st prize singles
    Riccardo Venturi, Italy, Contrasto
    2nd prize singles
    Guang Niu, China, for Getty Images
    1st prize stories
    Olivier Laban-Mattei, France, Agence France-Presse
    3rd prize stories
    Fernando Brito, Mexico, El Debate de Culiacán
    People in the News
    1st prize singles
    Altaf Qadri, India, The Associated Press
    2nd prize singles
    Seamus Murphy, Ireland, VII Photo Agency
    3rd prize singles
    Vincent Yu, Hong Kong, The Associated Press
    1st prize stories
    Daniel Berehulak, Australia, Getty Images
    2nd prize stories
    Kemal Jufri, Indonesia, Panos Pictures/Polaris Images
    3rd prize stories
    Filip Ćwik, Poland, Napo Images for Newsweek Polska
    Contemporary Issues
    1st prize singles
    Marco Di Lauro, Italy, Reportage by Getty Images
    2nd prize singles
    Ed Kashi, USA, VII Photo Agency
    3rd prize singles
    Ivo Saglietti, Italy, Zeitenspiegel/Prospekt
       
    1st prize stories
    Ed Ou, Canada, Reportage by Getty Images
    2nd prize stories
    Darcy Padilla, USA, Redux Pictures
    Honorable Mention
    Michael Wolf, Germany, Laif Photos & Reportagen
    Daily Life
    1st prize singles
    Feisal Omar, Somalia, for Reuters
    2nd prize singles
    Malte Jäger, Germany, Laif Photos & Reportagen
    3rd prize singles
    Andrew Biraj, Bangladesh, Reuters
    1st prize stories
    Martin Roemers, the Netherlands, Panos Pictures
    2nd prize stories
    Fernando Moleres, Spain, Laif Photos & Reportagen/Panos Pictures
    3rd prize stories
    Mads Nissen, Denmark, Berlingske
    Portraits
    1st prize singles
    Jodi Bieber, South Africa, Institute for Artist Management/Goodman Gallery for Time magazine
    2nd prize singles
    Joost van den Broek, the Netherlands, de Volkskrant
    1st prize stories
    Andrew McConnell, Ireland, Panos Pictures
    Arts and Entertainment
    1st prize singles
    Andrew McConnell, Ireland, Panos Pictures for Der Spiegel
    2nd prize singles
    Davide Monteleone, Italy, Contrasto for The New York Times Style Magazine
    3rd prize singles
    Fabio Cuttica, Italy, Contrasto
    3rd prize stories
    Amit Sha'al, Israel, Calcalist
    Nature
    1st prize singles
    Thomas P. Peschak, Germany/South Africa, Save Our Seas Foundation
    2nd prize singles
    Reinhard Dirscherl, Germany, for Mare magazine
    3rd prize singles
    Olivier Grunewald, France, for Le Figaro Magazine
    1st prize stories
    Benjamin Lowy, USA, Reportage by Getty Images for GQ
    2nd prize stories
    Stefano Unterthiner, Italy, for National Geographic magazine
    3rd prize stories
    Christophe Archambault, France, Agence France-Presse
    Sports
    1st prize singles
    Mike Hutchings, South Africa, Reuters
    3rd prize singles
    Steve Christo, Australia, Sydney Morning Herald
    1st prize stories
    Adam Pretty, Australia, Getty Images
    2nd prize stories
    Tomasz Gudzowaty, Poland, Yours Gallery/Focus Photo und Presse Agentur
    3rd prize stories
    Chris Keulen, the Netherlands, Panos Pictures for Geo